Saturday, October 1, 2011

Baltimore Magazine Cover Shoot on the Boardwalk with Photographer Cory Donovan

I agreed to assist with another Baltimore Magazine cover shoot with the local Baltimore photographer, Cory Donovan. The day of, I picked-up model-for-a-day, Kara, and headed over to meet with Cory Donovan and the other assistant, Talia Scher. 

Amazingly enough, Anthea Thurston and Aimee Lin from Alpha Studio had graciously agreed to be the hair and make-up stylists for the shoot. 

We all gathered at the Baltimore Magazine headquarters for a pre-photo shoot meeting. 

With directions to Cambridge, Maryland we carpooled to the amazing Hyatt Regency resort - they had generously provided space in their spa for us to prepare for the shoot. 

While Anthea and Aimee styled the model - Cory, Talia and I scoped out the nearby Sailwinds Park. There, we discovered the perfect view; an old boardwalk bordered by rocks and water.

As the day moved closer to shoot time, the sun peeked through the clouds to create a beautifully diffused light. Cory shot in both film and digital; this versatility allowed him to get varied exposures of light and really capture the shot, literally, through a different lens.

As the sun threatened to disappear, we moved quickly to get the three required outfit changes and two locations into the day.

Once the sun fell beyond the horizon we packed-up for the day with a real sense of accomplishment. 

Overall, it was an amazing experience with some really talented people. Look out for the July 2012 issue of Baltimore Magazine for the final shot!

Cory Donovan and Talia Scher on location

Can you tell they also model?

The boardwalk

Checking out the view.

Leaving the Hyatt with the model.

Classic Schwinn bike for photo shoot.


Anthea Thurston (right) and Aimee Lin (left) from Alpha Studio

Cory in action!

Test shot with film.

Schwinn.


Reloading film.


Giving direction.

Make-up touch up.

Amazing!

Monday, September 12, 2011

Plywood Opening / Jim Lucio: Strip

On Saturday, September 10, 2011 the new gallery opened its doors in at 511 East Belvedere Ave., in Baltimore, Maryland. Plywood is a co-creation by Chris Attenborough and Sean Naftel who are also partners in the artist group Peacock. Occupying a vacant space in Belvedere Square, this new gallery space is available for artists, curators and creatives alike to come together and take advantage of the relatively new, white space:

"Plywood is a new flexible white cube project site located in North Baltimore's Belvedere Square. As part of Roving Project Plywood occupies a currently unused space, transforming it into a space for creative practice. Plywood will only occupy the location until another tenant leases the available store front."www.plywoodsite.org

The gallery opened with a bang with a new show by Jim Lucio. "Strip" is a collection of Polaroids shown consecutively at eye-level around the gallery space. Hung with nails and clips, the photographs create a cinematic effect reminiscent of Tarantino. Passing by, you get glimpses of retro signage and fish nets; clear heels and horror movie imagery captured by instant emulsion.

The photos, a precious collection of a dying photographic art, are not for sale. But, if you're lucky, the gallery may make you an enlarged print signed by the artist. A great idea from a new gallery that is already gaining interest from the artist community.





















Thursday, August 18, 2011

Paper and Ink | My day at the printing plant

Recently, I received a personal tour of a local Maryland printing plant. Entering in through the offices, the warehouse space opened-up to a bustling floor of contraptions and weathered tinkerers. The smell of ink emanated from freshly pigmented paper and the floor was clean and bright. Several generations of printers occupied every corner of the space. Metal cans of ink gathered in stadium-seating shelving as a man in a branded blue shirt leafed through Pantone swatch booklets.

Collection of inks.
I enjoyed the overwhelming size of the Komori 5-color process printer. The tall towers housed gooey ink rollers of cyan, magenta, yellow, and black.

Loading paper into one end.
The 5 towers!
The paper moves through the machine.
video
Prints coming out the other end.
Proofing station to catch any screen errors.
In contrast, the smaller traditional printing machines buckled together like a thousand metal knuckles; punching out pristine white stationary.

My tour guide pointed out the large HP Indigo printer, "digital is the future" he said as we stepped past boxes of fresh prints.

Digital HP Indigo Printer.
5-color process ink with a tube for a PMS ink on the right.
I love ink.
Large and in charge.
Rolls of paper lower costs and increase efficiency.
The more you learn about the other processes that influence your profession, the better you will be at completing your projects at the best price and quality for your client. It's like standing on your head; take a look at things on the other side. Explore new territories and processes and, most of all, have fun!

Monday, July 18, 2011

12 Free Photography Business & Marketing Guides

Today I received a really great email from ASMP providing links to a library of e-books for photographers.

I am currently a member of the American Society of Media Photographers. I highly recommend checking out their website and blog for great resources on anything from copyright to contracts.

The resources below are provided by PhotoShelter (so don't be surprised if you need to fill out a form in order to obtain the book)--providing valuable information is just another way to generate leads!

The entire library of e-books is available here.



What Buyers Want from Photographers
Our 2011 survey of over 500+ image buyers reveals insight into how to best reach them, attract their attention, and keep them coming back for more.
Download this book here.

The Freelancer’s Online Marketing Blueprint
Learn the latest online marketing tactics to attract more potential clients to your website and convert them to paying customers.
Download this book here.

The Photographer’s Guide to Selling Like a Pro
Top salesmen share their advice on cold calling, booking meetings, generating repeat business and more.
Download this book here.

Starting a Photography Business
Start your business with valuable insights from the experts and case studies from six College Photographer of the Year winners.
Download this book here.

Facebook Fan Pages for Photographers
Learn how a build a Facebook Fan Page that can grow your business.
Download this book on the PhotoShelter Facebook page.

Email Marketing for Photographers
Get an introduction to email marketing that includes the metrics that matter, case studies, and how to find an Email Service Provider that can simplify your strategy.
Download this book here.

Inspiration Handbook
Read insights from eight professional photographers on finding and cultivating inspiration.
Download this book here.

How to Sell Prints
The advice and case studies in this guide will teach you how to sell prints by creating an effective marketing plan and selecting optimal merchandise.
Download this book here.

SEO Cookbook for Photographers
Learn the secrets of Search Engine Optimization and how to use them to rank higher on search engines like Google and Bing.
Download this book here.

Photography Blog Handbook
This guide shows you how to use blogs to help grow your website traffic, deepen client relationships, and build a bigger following.
Download this book here.

Social Media for Photographers
A 55-page step-by-step guide that shows how you can use social networks like Facebook and Twitter to succeed online!
Download this book here.

Google Analytics for Photographers
Determine how users are interacting with your website and how this free service can support business decisions and future marketing expenses.
Download this book here.

Tuesday, July 12, 2011

Top Online Freelance Design Resources

I just wanted to post a short list of resources that I think would help any designer who is on their way to freelance efficiency! Freelance Switch is a great resource overall and they publish great lists all the time. Here are my favorites from their infamous 101 Essential Freelancing resources article.
    • My New Company – Legal and general start-up information
    • Designers Toolbox – Free legal forms for graphic designers
    • Copyright – Everything you need to know about US copyright
    • AIGA Form of Agreement – Standard form of agreement for design services template
    • HelpMeWork – US – Services to help you focus on what you know best
    • CreativeCommons – For licensing…just about anything
    • Creative Public - Useful site for anyone starting a freelance graphic or web design career. A $49.95 fee buys unlimited access to forms, manuals, pricing guides, contracts etc
    • You Send It – Send files up to 2GB online
    • Jewelboxing – superior packaging for short run CDs and DVDs
    • PowerXChange – Extensions for a variety of creative software, including Acrobat, Photoshop, Illustrator, InDesign and Dreamweaver
    • Dropsend – Email up to 1GB of files
    • Media Fire – Send 100MB files online
    • Box – Store, share and access files online
    • Icebrrg – Simple web forms
    • Formsite – Web forms and surveys in minutes
    • Kuler – Colour scheme picker
    • Pixie – A useful little colour picker
    • ColourSchemer – A bunch of colour tools
    • Jungle Disk – Online storage for 15 cents a gigabyte
    • AskCharity – free online contacts for journalists
    • TechInline – Remote Desktop Software
    • Protolize – Web Resource Directory
    • Proposal Kit – Proposal and contract management tools
    • Ta-Da Lists – a simple (free!) to-do list application that can be shared with the world
    • Backpack – Service that integrates to-do lists, notes, files, images, and a calendar with reminders that can be sent to your email or cell
    • Writeboard – Sharable, web-based text documents that save edits, so you can collaborate, roll back and compare
    • ConceptShare - Share designs and get feedback with visual annotation tools
    • Wridea – Free tool for writers focusing on idea generation
    • GoPlan – Note-taking, calendaring, task management, issue tracking, file management and online real-time chat
    • Toodledo – Another web based to-do list
    • ActiveCollab – Open source collaboration and project management tool
    • MonkeyOn – Your to-do list for things that you want other people to do
    • Remember The Milk – Another To-Do List manager
    • HighRise – Track communication and conversations with leads, employees, clients, colleagues, vendors
    • Campfire – Real-time group chat and file sharing
    • Central Desktop – Shared workspaces and web conferencing
    • Relenta – Manage your email, contacts, documents and activities
    • Google Apps – Communication and collaboration tools from Google
    • Zoho – Free office tools
    • Campaign Monitor – Email newsletter software
    • MailBuild – More newsletter software
    • Breeze – Email campaign and newsletter software
    • Business-Paper – Easy business cards
    • GoToMeeting – Easy online meetings
    • Wufoo – Make forms to survey your clients
    • AIGA Spec Letter – Sample letter to communicate with clients who want spec work or free pitching
    • CPA Directory – Find an accountant (in the US)
    • SBA – Small Business Administration, help and advice
    • Paypal – Online payment system
    • Moneybookers – Online payment system
    • Escrow – Online payment system that protects the buyer and seller, useful for those bigger jobs with anonymous clients.
    • Resources for the Design Entrepeneur – Free sample forms and agreements
    • Work – How-to guides to running a small business
    • XE – Quick and easy currency converter for all your international transactions
    • Trendwatching – Consumer trends and insights resource
Here are some books to top it all off:

Tuesday, June 7, 2011

Long distance learning gets personal | How your online class may be a lot like a long distance relationship

Many of us have experienced the complications of a long distance relationship. We find someone we like and then we go to college, graduate college, get a new job, the list goes on. After the positive “we can do this” push, our experiences slowly grow foreign, disconnected and awkward.

So how is a long distance relationship a lot like taking a class online?
I recently finished an online accounting class. This is the first class I have taken that has been exclusively online (not counting online webinars/tutorials), and I have been attempting to pinpoint my discontent. I know you're thinking  “accounting?! That's why it was terrible”; meh--it was the one thing I couldn't force myself to learn on my own.

I am a big advocate of online learning, but I still feel strange being part of this “team learning environment” where you don't really know your teammates or your coach and you still are expected to perform. Part of it may be the disgusting clashing colors of the tiny online slide presentations that could have only been put together by a goblin or drug addict. But, for the most part, the whole setup brings back that same feeling of trying to study my significant other's social web over my mobile minutes and messaging.

As the class progressed, I found myself measuring the classes commitment my learning experience “...you hardly listen to me anymore webinar! I feel like we never talk...”. Disjointed conversations, erratic moments online, an abundance of social distractions, late nights up solving problems through chats and postings. So what is this yearning for human connection; why do I feel so lonely in my quest to understand balance sheets?

Devon, an IT professional, is no stranger to the online environment. He relates his experience taking an online class to his long-distance relationship experience in that “You're not really experiencing things together and so trying to catch up after a long week where you are both separated feels forced and awkward.”

Do your Learning Style
Label me what you like; I suppose multiple tests have proven that I am an experiential/kinesthetic/visual learner. I think that the experience of learning doesn't just come from facts and processes being revealed by a turn of a page or a click of a slide, but through human connection; student-to-student, teacher-to-student. I am convinced that a laugh/smile/intonation stimulate your senses, getting those brain juices flowing and growing. In this class, I'm on my own, humming to myself and my textbook and my mind-numbing presentation slides.

Kate Linder, a graphic Designer and teacher in Brooklyn, elaborates, “Material often just makes more sense when you can hear someone ask a questions and see the teacher answer it, as opposed to reading short questions typed in a forum. I'd personally like to see the online classroom more integrated; texting a teacher can be posted online with a click, live video chat with catch-up video download for those who missed it...”

So why am I able to learn independently online but not as much in a class format?
Simple (I think), I am in control. If I want to put down the books and pick-up a camera, experiment with my digital editing programs, or get a job seeing/doing, I can! No deadlines for learning or weekly measurements of “progress”. Who says we all progress in the same way? Who says we can all learn from clip art and text? (I'd actually like to know if anyone can really learn from clip art and text).

If this experience has taught me anything, (besides that I now know enough accounting to smile a nod at my accountant instead of zoning-out and drooling at the sight of a balance sheet) it has taught me that:

    1)    Not all online learning is alike, in fact, do your research before getting involved
    2)    Be self-aware and weigh your options
    3)    Do not underestimate the power human interaction when it comes to learning, loving, and the endless pursuit of warm fuzzies

Thursday, April 7, 2011

The Entrepreneurial Generation | Full Interview with Genystartup.com

I was approached by Tolu Babalola, a writer at Generation-Y Startup, to contribute some thoughts to an article on entrepreneurship and generation Y. You can read the article here at genystartup.com.
Here is the full interview:

What inspired you to get into entrepreneurship?
I think my main inspiration came out of a need for a lifestyle plan. I took a step back from my life and asked myself what I wanted most out of my daily routine. I came up with a short list that has influenced my decision-making ever since and I always come back to it when things get tough. This list is the driving force behind my business mission and goals.

My List:
1. Immerse myself in the arts while providing a much needed service to the artist community
2. Own my own schedule while working feverishly/passionately
3. Enjoy everyday through exploration and lifelong learning

Does location, (Baltimore, NYC, Silicon Valley) affect success rate of entrepreneurs?
Of course location affects the success rate of entrepreneurs, but I believe it is a common misconception that location "limits" entrepreneurship. In most cases it's the entrepreneur that limits success rate. Every location has its own entrepreneurial energy; it's up to the entrepreneur to harvest it.

Baltimore is a wonderful city for creative entrepreneurs. There is a great energy from the professionals in this city and there are so many people that support the fusion of entrepreneurship, arts, and technology. You can find out more from organizations like Startup Baltimore or going to events like Startup Weekend.
 
Do you see a shift in work dynamic of the gen y compared to previous generations? Are more college grads looking to 'do their own thing' versus work for other people?
Great question, at this point there have been many books written about how to "deal with" Gen Y. Really, you just have to understand the way we think and give us space to grow. The most recent Ignite Baltimore (an event that invites artists/entrepreneurs/personalities to present for 5 minutes on any topic) and one presenter named Greg Dekker presented on how "71 Million Americans Say Your Cubicle is Stupid". The reality is that Gen Y (the 71 million Americans referred to in the title) will be filling the shoes of the retiring baby boomers within the next decade. Though they are ready to break down the cubicle walls, not all of their actions will be destructive. Within the corporations, Gen Y will rewrite job descriptions and bring a new perspective to the traditional idea of the 9-5. Though, if businesses remain rigid, Gen Y will look towards greener pastures and choose to collaborate with fellow classmates either as leaders or supporters of new exciting ventures. If you challenge us just right, we will move mountains--deny us stimuli and assign us busy work, we will focus our energy on our own interests and leave your traditional job in the dust.

What are your biggest struggles as an entrepreneur?
Since I am at the beginning of my entrepreneurial journey, I will say my biggest struggles as at this point are my impatience with progress, learning to embrace my mistakes, and balancing my home life with my desire to work constantly.

Another big struggle is finding the time get involved in the community. I believe it is so important to get out and interact. Today, building a business brick-by-brick on your own is no longer necessary. Many of my efforts have gone into networking or simply making connections with other inspired and passionate people. Do not let the fear of rejection or that you are "not worthy" get in the way of making friends (professional and non-professional). Any open community forum, event, or lecture is just that, open! I believe a real experience with another person will always make more of an impact then any handshake or business card (though those do help).

I cannot thank my friends and family enough (not to mention my two dogs and a cat) for their unconditional support. If you're not having fun and enjoying life while you build your business, then you risk burning out and losing sight of why you started in the first place.